Executive director Guillermo del Toro presents the horror film Mama. Based on the 2008 Argentine short film, Mama, this Spanish influenced flick is based on the ghostly spirit known as Mama and two orphaned girls. The movie stars Jessica Chastain as Annabel and Nikolaj Coster-Waldau as Lucas Desange and Jeffrey Desange, along with Megan Charpentier as Victoria Desange, and Isabelle Nélisse as Lilly Desange. Mama is currently available using DirecTV On Demand. SaveonTVdirect.com has special offers available if you don’t currently have a DirecTV subscription.

The opening of the film presents Jeffrey Desange, who is going through a financial disaster. He decides to kill his wife, business partners and two infant daughters Victoria and Lilly. He succeeds in killing the adults, and then flees to a forest cabin that has long been abandoned. Inside he sticks a gun to the eldest daughter Victoria, after removing her glasses so she can’t see what’s happening. However, his plan is foiled when a shadowy entity grabs him from behind, breaking his neck as it drags his body away. Victoria and Lilly, who are three and one years old respectively, live in the cabin for the next five years.

Lucas Desange, brother to the deceased Jeffrey, never gives up hope that he’ll find his brother and nieces. His girlfriend Annabel, who is a member of a punk rock band, is not as sure as Lucas, but she supports her lover. In a last-ditch effort the rescuers find the cabin in the woods and they bring the girls back to civilization. Lilly and Victoria are placed in a clinic where they are observed by psychiatrist Dr. Gerald Dreyfuss, played by Daniel Kash. Lucas reaches out to the girls, and after giving the oldest daughter a pair of glasses, she begins to exhibit memories and connections to her father. Unfortunately, the youngest child remains distant and defiant.

The doctor aids Lucas and Annabel with custody of the girls, so that he can continue to document the girls’ behavior in regards to their seemingly unconscious creation of a mama to replace the one they lost. Throughout the scenes, both girls appear to be talking to and playing with an unknown entity called Mama. Annabel is the first adult to see a shadow figure near the girls’ bedroom. She attempts to confront the spirit, which leads to Mama attacking Lucas. He is put into a coma and therefore spends the majority of the movie in the hospital, leaving Annabel to raise the girls while also dealing with Mama.

Annabel struggles with communicating with the girls, who are starting to leave the house at night to follow Mama. Meanwhile Annabel is experiencing vivid nightmares about a woman falling off a cliff. She realizes something is seriously wrong and reaches out to Victoria, offering to console the young girl. This is a turning point in their relationship, as Victoria advises Annabel of Mama’s jealousy. However, Lilly remains distant and wild-eyed.

Dr. Dreyfuss remains in the picture, interviewing the girls about Mama, which he discovers is connected to a 19th century mental asylum patient named Edith Brennan who is forced to give up her infant. After discovering the remains of the child in a storage facility, the doctor begins to connect reality and goes to the cabin for more information. Meanwhile, Annabel is having dreams about a woman in an asylum who kills a nun after they take her infant. When the woman flees, she jumps off a cliff with the infant, but the infant doesn’t die in the water, but on a branch where it is caught. Annabel realizes that the Mama entity is replacing her own child with Victoria and Lilly.

**Spoiler Alert**

Lucas recovers and he goes to the cabin, where Dr. Dreyfuss has already been murdered, and where Annabel goes looking for the two missing girls. In a dramatic conclusion, Annabel has the remains of the infant, which she stole from the doctor’s office, and she finds Lucas there. The two girls are discovered on the cliff from Annabel’s dream, along with Mama who is a staggeringly tall and ghastly creature. Once Annabel gives Mama the infant’s remains, the audience thinks that all is well as Mama loosens her hold on Victoria and Lilly. The two girls run to Annabel and Lucas, but Lilly turns back and calls for Mama. Victoria has formed a strong enough relationship with Annabel that she stays with the living, while Lilly is encased in a cocoon with Mama before the two jump off of the cliff. When Lilly hits the same branch that killed Mama’s newborn, the cocoon explodes into a million moths. A bright blue moth flies up to Victoria as the movie concludes.

Yell! Rating (x/5 Skulls):

3 out of 5 stars

Year Released:

18 January 2013

Director:

Andrés Muschietti

Cast/Crew

Jessica Chastain, Nikolaj Coster-Waldau, Isabelle Nélisse, Daniel Kash, Javier Botet, Morgan McGarry, Megan Charpentier

Genre

Horror, Thriller

Official URL:

Mama

Everybody’s got a thing for fallen heroes. It’s why Robert Downey Jr. soared to new heights with his career resurgence as Iron Man five years back. Now, it’s time to tie things up with Tony Stark in Iron Man 3, but at the rate he’s falling, he’s gonna have to climb up something fierce to get his feet back on the ground for his next great leap.

It’s the action blockbuster of the century

You see, after having his mind rended to ribbon after the interdimensional cataclysm of The Avengers, Tony Stark’s (Robert Downey Jr.) been a little high strung. He holes himself up in his workshop churning out battlesuit after battlesuit and dreading whatever might come next. His now steady girlfriend, Pepper Potts (Gwyneth Paltrow), is running low on patience with his personal projects and in the meantime does her best to run the Stark Company without running it into the ground.

Meanwhile, The Mandarin’s (Ben Kingsley) been hijacking television signals nationwide and is establishing a new domestic threat via random bombings that head of security Happy Hogan (Jon Favreau) has accidently walked right into. As Tony deals with setback after setback, his old friend James Rhodes (Don Cheadle) backs him up with his own rebuffed suit of armor – the reassuringly-named Iron Patriot. Together, the two team up against yet another threat in the form of supercharged super soldiers given a strong dose of nigh-invulnerability and experimental instability. Guy Pearce is also in the movie.

Ho yeah!

There’s a lot going on in this film. That’s how final sequels typically go.

But good or bad?

Well, damned good, it could be said – but this final stamp on the Iron Man franchise isn’t without its flaws; Little tiny splitends that might distract from the overall smattering of action and entertainment, but nothing worth crying about.

See, this movie has a lot to get done before the curtains close. Tony Stark has to make his greatest leap yet, Pepper Potts has to take that next step in the direction the films have been taking her, and in the meantime there are subplots a plenty to wrap up.

Culminating his latest work with the Mark 42, Tony Stark proves that he’s been keeping busy in the worst way. The looming anxiety that’s been creeping up since his last outing’s finally hit a crescendo in the form of a panic attack.

Just one of those days.

Now, the old cocksure smirking jack-ass we all know and love takes leave for a good majority of the film.

Taking his place is a new breed of Tony Stark. One who knows all too well that he’s got no idea what’s really out there, but is on some kind of improvised fast track to safeguard himself from it. The ironic truth is that not only is his old swell of confidence gone, but without spoiling anything, you could say that he’s mechanically debilitated from the get-go. It happens in an unsavoury bout of plot stupidity, yeah, but it throws him in with the sharks in ways that we’ve never seen before.

Interesting, right? Exactly what can Tony Stark manage without the all-purpose efficiency of his red and gold safety blanket?

Continue reading the Iron Man 3 review after the jump…

Yell! Rating (x/5 Skulls):

4.5 out of 5 stars

Year Released:

May 3, 2013

Director:

Shane Black

Cast/Crew

Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Jon Favreau, Ben Kingsley, James Badge Dale

Genre

Action, Adventure, Sci-Fi

Official URL:

Iron Man 3

Horror fan or not, there’s a lot of apathy going around town in the directorial world. A lot of gimmicky “who-cares” pathos diluting what would be extravagant and memorable. In essence, there’re a ton of people out there who serve up bare-bones schlock and call it entertainment.

No effort. No soul.

No writing, really. Just gore.

But by great grandaddy’s cotton candy stand, Evil Dead‘s got what it takes.

Suspense, characterization, a plot that makes sense, homages to the original, proper deviations from the original, and a cast that’s finally not too dumb to live?

I’ll take 30cc right here, right now.

But Evil Dead’s not so much a remake as it is a re-imagining. There’s plenty here that takes a turn from the original. Some might have issues with that – but hey, let’s be objective here. As a stand-alone work, it works. Allow me to explain.

Four friends (played by Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, and Elizabeth Blackmore) head to a remote cabin to get away from the city as their pal Mia (Jane Levy) tries to get off the needle. She’s been shooting up smack something fierce, and the cold turkey approach just isn’t working out so well for her. When they stumble upon the Necronomicon in a basement stained with the remnants of rituals past, they awaken something sinister – something eeeevil. And dead.

Now, here’s the thing about remaking a flick like Evil Dead.

We’ve all seen it before. Teens flock to a remote cabin in the woods only to get their shit stabbed in some kind of otherworldly cluster-fudge? Yeah. Heard that one before.

We ruined movies like this, forever!

But in a case like this, you’ve gotta give it some perspective. This is a remake of the original Teens in a Cabin movie – it’s not like they’re gonna send them to outer space. In fact, that’s one of the main reasons why the original hasn’t aged very well.

Continue reading the Evil Dead (2013) review after the jump…

Yell! Rating (x/5 Skulls):

4 out of 5 stars

Year Released:

April 5, 2013

Director:

Fede Alvarez

Cast/Crew

Jane Levy, Shiloh Fernandez, Jessica Lucas, Lou Taylor Pucci, Elizabeth Blackmore, Jim McLarty, Rupert Degas

Genre

Horror

Official URL:

Official Evil Dead

When I put this film on I didn’t know what to expect, and somewhere between 30 and 40 minutes in I considered turning it off, thinking I’d settled in for a girls-bonding type of film. If it wasn’t for the flashforward scene at the beginning, I probably would have turned it off. I’m glad I didn’t, because the payoff was worth the wait.

Girls Against Boys stars Danielle Panabaker (Shae), Nicole LaLiberte (Lu), Andrew Howard (Terry), and Liam Aiken (Tyler). Written and directed by Austin Chick (XX/XY, August), who seems to have a penchant for drama and relationships, has crafted an intense and brutal revenge flick.

While the film is dark and you side with Shae, you’ll soon find yourself disgusted by yourself for rooting for her. Girls Against Boys is a great character study, showing us how easily a wounded heart can be persuaded to committed horrifying acts, and then how the owner of that same heart can try to return to normalcy – though she’ll always be haunted by the devil that led her astray.

While watching, I couldn’t help but to be reminded of Fatal Attraction: Lu being the evil driving force, akin to Glenn Close’s character, behind Shae’s evil deeds. The comparison between Shae and Michael Douglas’ character is best made in their attempts to redeem themselves.

It’s extreme feminism, and the ultimate moral of the film is, don’t cheat on your wife, even if you’re separated.

The Verdict: 3.5 out of 5 stars

Girls Against Boys isn’t a straightforward horror flick, but it does have some gruesome torture-porn scenes that rival Eli Roth’s Hostel. If you’re not interested in seeing a film that a drama with elements of horror, at least watch this one for Panabaker’s extremely long legs. I’m kidding, sort of. Actually, any horror fan should see this for at least one particularly brutal scene.

Rock Hard \m/

Yell! Rating (x/5 Skulls):

3.5 out of 5 stars

Year Released:

1 February 2013

Director:

Austin Chick

Cast/Crew

Danielle Panabaker, Nicole LaLiberte, Liam Aiken

Genre

Drama, Thriller, Horror

Official URL:

Girls Against Boys

There are no redeeming factors to this, the greatest of the Italian Cannibal films. One of the goriest, if not the goriest films ever made, it caused the arrest of the director when authorities thought the movie was real and believed it to be a snuff film. When the director proved the actors were still alive, he received the lighter sentence of four months for animal cruelty.

The film received an X rating, which killed its distribution and was banned from many countries. But with a dedicated following and cult status worldwide, the film has stuck around for 25 years. Grindhouse has released a two-disc DVD that gives a remastered, uncut version of the film with a ton of extras.

The film itself tells the story of a rescue mission sent into the Amazon rain forest to retrieve a missing American film crew who’s work was to document the culture and living habits of the native cannibal tribes of the region.

The team fails to save the crew as they are all dead by the time of the team’s arrival. Only bones were remaining as evidence the film crew were there. Well bones and the crew’s film reels which the team convince the tribe to relinquish.

The rest of the film has the executives of Pan American Broadcast Company and Howard Monroe (Robert Kerman), the rescue team leader, first review the raw footage then broadcast an edited version of the recordings. The the pre-edited reels show the crew raping and killing natives and the natives returning the favor with cannibalism added to the violence (we as the audience watch along with the players). By the ending, Monroe wonders who were the worse savages, the natives or the film crew.

Cannibal Holocaust is neither for the faint of heart nor for those easily upset by disturbing images. If you are a fan of horror and gore and you haven’t seen this film, you are sorely lacking a true point of reference and comparison. But if you’re not, avoiding this film may be your best course of action. One of the most famous of the exploitation films of the ’80s, Cannibal Holocaust is not for the mainstream.

Cannibal Holocaust Gallery:

Cannibal Holocaust Trailer:

Yell! Rating:

4 out of 5 stars

Year Released:

7 February 1980

Director:

Ruggero Deodato

Cast/Crew

Robert Kerman, Francesca Ciardi, Perry Pirkanen, Luca Barbareschi, Ricardo Fuentes

Genre

Exploitation, Snuff Film, Horror

Official URL:

Cannibal Holocaust

Mimesis tells the story of a group of people who get to live a horror movie, namely Night of the Living Dead. While the concept is great in theory, I feel that it was poorly executed in the film.

Our group of unwitting participants are so-called horror fans, most of them, who were recruited (i.e., invited to an exclusive party) while attending a horror convention. While at the party, they are drugged and wake up in different clothes. We learn pretty quickly by the makeup that these zombies aren’t real, but they really do kill. Later, we learn that the whole operation is run by a few thrill seekers and that Mimesis is essentially torture porn. This doesn’t work for me for two reasons:

1. Torture porn doesn’t parallel Night of the Living Dead

2. It’s not what the trailers led me to believe. Meaning that I was expecting these partygoers to stumble upon a portal or magical puzzle box (a la Hellraiser) that would transport them into an actual parallel universe that made their favorite horror movie a reality. If that were the case, I guess half the film would have had to be shown in black and white.

Also, these horror fans took forever to realize what movie they were participating in. You would expect Russell (Taylor Piedmonte), our most sympathetic and horror-entrenched character, to get it as soon as he woke up in the cemetery with Karen as Barbara (Jana Thompson). It’s unfortunate that Russell met his demise so early in the film, as he’s easily the only likeable character… but so is not the way of Night of the Living Dead.

One of the most unbelievable aspects of Mimesis was the role-playing zombies. Did the filmmakers really expect us to believe that these scrawny guys, acting slow and lumbering like “real” zombies, could so easily overpower such an athletic looking cast of 20-somethings? All the psychopathic preplanning in the world wouldn’t help these guys overpower, much less catch, one of their victims if they remained in character.

As far as casting goes, Director Douglas Schulze did a pretty good job. Most notable is Gavin Grazer’s portrayal of Cooper, excellent and totally unlikeable, and Jana Thompson’s Barbara, totally lost and bewildered.

Another noticeable fault in the Mimesis was the sound. I watched this on Blu-ray, but the quality just wasn’t there. At times you couldn’t hear the dialog over the score, and at other times the echo told you that they were on set somewhere.

The Verdict: 2 out of 5 stars

There’s so much wrong with Mimesis. The concept is great, fantastic even, but it was just poorly executed. What could have been a great homage to a great film has just ended up being a remake of Night of the Living Dead without being a remake. I’m giving this film a 2 because the only people who will appreciate it are Romero fans. I use the term “appreciate” loosely.

Rock Hard \m/

Yell! Rating (x/5 Skulls):

2 out of 5 stars

Year Released:

7 October 2011

Director:

Douglas Schulze

Cast/Crew

Allen Maldonado, Sid Haig, Courtney Gains, Taylor Piedmonte, David G.B. Brown, and Lauren Mae Shafer

Genre

Horror

Official URL:

Mimesis

After you watch The Collection, I will tell you now, don’t expect many answers. In the first film, The Collector (2009), we were given a mysterious villain and a cool anti-hero to root for. The biggest issue I have with The Collection is that it really doesn’t give us any new insight into either our villain or hero. This is something that bothers me, but not enough to ruin the film for me. In fact I found this to be a very enjoyable film, especially for a new horror sequel.

The Collection, begins shortly after the first one ends. The Collector is still on the loose and our hero, Arkin, has been taken. If you have seen the trailer, then you have seen a shortened version of the first scene. My first recommendation is not to question the plausibility of it all. How a single man was able to rig an entire building full of deadly traps without anyone noticing would be pretty much impossible. Horror films are never known for there logic. If they were, then most of them would be over in about 10 minutes.

The story of the sequel is actually far more basic than The Collector was. Arkin escapes, and is strong armed into helping a team of mercenaries find the daughter of a politician. The mission is to enter a booby-trapped hotel, rescue the girl, and take down the villain. While this plot is pretty familiar, the movie is so well executed and fun that it makes little difference. There are many cliches and you will probably see many deaths coming before they happen, but that isn’t such a bad thing. While I craved more of Arkin’s or The Collector’s back story, I cannot think of a single moment during the 80-minute runtime that was boring. The movie is also much more graphic and just bigger in every way than its predecessor.

Even though the film didn’t do great at the box office, I am hoping video sales give it a slight boost. I am not normally one for sequels, but horror franchises with this much potential are rare to come by these days.

I give a lot of credit to Marcus Dunstan (The Collector, Saw 4), he has a decent eye for horror, but I just think he should stop directing his own screenplays. It is kind of a shame that The Collection didn’t give us more details about Arkin’s family problems that were so well set up in the first film. It also didn’t really give us a whole lot of insight into why The Collector does what he does. He collects bugs, has morbid “body art,” and always takes one person whenever he kills. That’s about as much as you end up learning about The Collector.

The Verdict: 3 out of 5 stars

The thing that really saved this movie for me, was the superb final scene. I do not want to spoil anything, and whether it leaves things open for a sequel is debatable, but the ending is done very nicely and left a smile on my face. This is very pleasing because the end is normally where horror films botch things.

I truly hope that 2013 has more to offer us horror wise than 2012. The Collection was the last big horror film on my 2012 list. Here is hoping for a third film!

By Michael | Spiffycats

Yell! Rating (x/5 Skulls):

3 out of 5 stars

Year Released:

30 November 2012

Director:

Marcus Dunstan

Cast/Crew

Josh Stewart, Emma Fitzpatrick, Randall Archer, Johanna Braddy, Daniel Sharman, and Christopher McDonald

Genre

Thriller, Horror

Official URL:

The Collection

Just recently released on Blu-ray, Lightning Bug tells the story of the aspiring makeup artist Green Graves, played by Bret Harrison. The story is a fictionalized account of real-life makeup artist, and writer/director of Lightning Bug, Robert Hall (Makeup: Vacancy, Prom Night, Quarantine 1 and 2, The Crazies, Paranormal Activity 2, 3, and 4).

Truth be told, this isn’t really a horror film, although it is an underlying theme. First of all, we fans of the genre are often criticized and ridiculed for our slight obsession – cue the abusive stepfather. Second, we and the genre are accused of being less than holy, like we’re a bunch of pagan devil worshipers looking for our next virgin sacrifice – cue the love interests mother (and the rest of the bible thumping southern town). Thirdly, how many of us, whether we’re horror fans or metal fans, can relate to being holed up in our bedrooms, shutting out the world that doesn’t understand us?

Those are my justifications for covering this coming-of-age story, and I’m sticking to them.

Basically, we have Green, and he’s growing up in a shitty environment, with a shitty mother who’d rather drink and marry a shitty man for his shitty salary than work a shitty job to support her two kids. Green also lives in a shitty town that doesn’t understand him. He also has a couple of friends who are stereotypes of backwards southern America, but they at least support him.

The film progresses as we approach Halloween, and Green will finally have the chance to show the town what he can do with makeup at the local haunted house. His ultimate goal, however, is to get out of the town and head to Hollywood to start his career in makeup. Along the way he falls in love with Angevin Duvet, played by Laura Prepon (That ‘70s Show). Prepon also executive produced Lightning Bug, and back in 2004 it was a way for her to shed her character from That ‘70s Show.

Green has a lot of personal demons to face, but you’ll have to watch the film to know if he makes it out alive.

Lightning Bug Blu-ray Features:

Commentary: Director Robert Hall
Commentary: Director, Producer Lisa Waugh; Actors Laura Prepon and Ashley Laurence

Lightning Bug: Extended cut (with 5.1 DTS-HD MA or 5.1 Dolby Digital)

Featurette: Afterglow – A Look Back at Lightning Bug
Featurette: Luciferin – The Making of Lightning Bug

Deleted Scenes (with optional commentary from Robert Hall)

Outtakes
Kevin Kinney music video
Blu-ray trailer (2012)
Original trailer
Photo gallery
Animated menu and intro

The Verdict: 3 out of 5 stars

If you’re looking for something that’s slightly outside the horror genre, but not so far removed that you would be left Jonesing, then Lightning Bug comes highly recommended. While some plot points are extremely predictable, it’s still enjoyable and worth it to see how it all plays out in the end.

Rock Hard \m/

Yell! Rating (x/5 Skulls):

3 out of 5 stars

Year Released:

9 August 2005 (DVD premiere)

Director:

Robert Hall

Cast/Crew

Bret Harrison, Laura Prepon, Kevin Gage

Genre

Drama, Horror

Official URL:

none

Tim T. Cunningham’s (primarily known as a visual effects producer) Sick Boy is a slow-burn film, building and building until all hell breaks loose. It’s your classic babysitter story with a boogeyman lurking about, but this time an interesting zombie genesis story is thrown in. And that’s kind of what we need in today’s zombie saturated world, original zombie stories (I personally can’t stop recommending Dead Girl).

With an estimated budget of just $50,000, Cunningham and his team pulled of a descent movie, but with that kind of investment we couldn’t expect much more than what we got. The shots almost make Sick Boy look like a found-footage film, which it is not, the acting isn’t the best, and the dialog is a bit bland (but perhaps that’s because it’s closer to how we really talk, which is pretty boring).

To get to the end of the film, our female protagonist, Lucy (Skye McCole Bartusiak, who actually reminds me of Kaley Cuoco), had to make a classic horror movie mistake. Does that make this movie cliche? I don’t think so. Films need mechanisms to move the plot forward, and there’s only so many to use. Deal with it. But, man, what an idiot.

The Verdict: 2 out of 5 stars

There’s enough meat in Sick Boy‘s story to keep you watching, but if you’re not as hungry as a zombie is for brains to see another zombie tale, you might want to skip this one. I enjoyed it, and the liberal use of squirting blood reminded me of Hammer Films.

Rock Hard \m/

Yell! Rating (x/5 Skulls):

2 out of 5 stars

Year Released:

23 October 2012

Director:

Tim T. Cunningham

Cast/Crew

Skye McCole Bartusiak, Marc Donato, Debbie Rochon

Genre

Horror, Thriller

Official URL:

none

Here we are again, mein freunds. Let us discuss Texas Chainsaw 3D.

No, no – not “The Texas Chainsaw Massacre” – oh my, no. That’d be much too appealing – the ship has sailed on remakes for that film. Instead we’re left with a money-grubbing retcon that’s canceled out most of the series.

Considering what the series became, though, that may actually be a good thing.

Following the events of The Texas Chainsaw Massacre (and illustrated through old, remastered footage that lends you a craving for honest-to-God effort), we see the Sawyer family hoarding their chainsaw-wielding relative in the kitchen, while the house is swarmed and attacked by angry rednecks. In the midst of an arson fest and bloody shoot-out, each member of the entire family meets their demise, and a small baby is discovered to be the only survivor.

Now, 40 years later (or, maybe 20, given the age of the character – whatever) young Heather Miller (Alexandra Daddario) receives notification that her grandmother, whom she never knew, has died and left her with the inheritance of a grand mansion, somewhere in Texas. Tracing her roots, and seeking to know where she fits in, our heroine takes a road trip with a group of friends and stays the night in her not-so-humble abode.

People begin disappearing, the Chainsaw-Mythos is fleshed out, and when it’s all over and done you’ve managed to shrug with such frequency you’ve thrown your back out, and are finally whisked off in an ambulance.

“How could that guy do something so stupid?”

“Why aren’t people running away from a chainsaw-wielding man-giant?”

“Why did that person make a 180-degree character turn in such a short time?”

“Why does a 90-minute movie feel so long?”

Some good questions have no good answers.

The original Texas Chainsaw Massacre holds a timeless quality to it, for being disturbing, visceral, and full of grunge. The antagonist was mysterious, dangerous and had a look and feel that was incredibly unique, while still managing to be offbeat. He had a style all his own, and you’ll remember Leatherface for being the wild and wacky sumbitch that he is.

Now, he’s a marketing gimmick. Slap Leatherface in the center of your promotional poster and you’ve got yourself a new Lexus and a metric boatload of prostitutes.

Continue reading the Texas Chainsaw 3D review after the jump…

Yell! Rating (x/5 Skulls):

2.5 out of 5 stars

Year Released:

4 January 2013

Director:

John Luessenhop

Cast/Crew

Alexandra Daddario, Tania Raymonde, Dan Yeager, Trey Songz, Bill Moseley, Gunnar Hansen, and Scott Eastwood

Genre

Horror, Thriller

Official URL:

Texas Chainsaw 3D